spinthis45

Every song has a story.

Jason Becker: Not Dead Yet featured at Independent Film Festival Boston

The 1oth annual Independent Film Festival Boston kicked of today. The festival features a host of independent films and documentaries screening at the Somerville Theater and the Brattle Theater. As always, the fest will feature lots of great music documentaries. A sure standout will be Jason Becker: Not Dead Yet which will screen at 9:15 p.m. on Saturday night at the Brattle. You can buy tickets here.

‘JASON BECKER: NOT DEAD YET’ is a new feature-length documentary that chronicles the heroic and incredible true story of guitar legend, Jason Becker.  The film chronicles Jason’s life from his youth, to his days as a lightning fast guitar player and rock star, and to his present-day struggles with an incurable disease.
Jason’s amazing story is told through interviews, never-before-seen archive footage of his performances; as well as unreleased family photos and footage from the Becker archives. The soundtrack is comprised of Jason’s released and unreleased material including demos from his childhood and new material he has been working on.  The film was shot using a combination of full 1080p HD cameras and 16mm film.

Onslo – Quartumdimensio AEdificium

Wow. Onslo’s Quartumdimensio AEdificium is a barrage of noise—but what fantastic noise it is!

It’s as though Karl Alverez and Bill Stevenson, the rhythm section of the Descendents and ALL, joined Weezer and started covering Frank Zappa tunes. This record is fast and hard with angular edges and bombastic choruses. Its 7 tracks clock in at well under 15 minutes so the only drawback is that it’s over so damn quick. With its mix of jazz and punk, prog and indie it’s hard to tell if these guys are serious or not but the sheer audacity of this combination of influences is some serious fun.

Take a listen and judge for yourself:

and catch them live, opening for Grandchildren and Dinosaur Feathers at Church on April 11.

Los Campesinos! at The Paradise – January 20, 2012

On record, Los Campesinos! is a shambling, sarcastic, indie-pop mess, perennially stuffing too many words, delivered in a thick brogue, into too little space—always sounding on the verge of utter disintegration. Live, this formula could be a recipe for utter disaster and drive a band completely off the rails. What Los Campesinos! delivered instead was a well-oiled rock show that went off like a keg party at the end of the world.

With seven musicians onstage their brand of cacophonous indie-rock noise might easily end up muddled and cluttered. Instead, each of the musicians plays a specific role, melding into just the right sound while no two players take the lead at the same time—every note serving to support Gareth’s lyrical delivery, which is the key to the Los Campesinos! sound. The band was so tight and their sound so well-engineered that when during certain songs Gareth stepped back from the mic in order to tap off a few notes on the glockenspiel, they were clear as a bell, even in the midst of a full-on rock song. 

2011 Top 10 Best Restaurants to Visit Before a Show

 For me, shows and food go hand-in-hand. Any good night out to see a band should be accompanied by a good meal. In the greater Boston area we’re blessed with some of the best music, clubs and restaurants in the country which makes it difficult to make a bad choice. With my top ten list of restaurants to visit before a show I’ve tried, in most cases, not to pick the most obvious choice. Instead, I prefer the gems that you may have to work a little harder to find or get to. You can trust me that they’re worth the effort.

Church, Boston (www.churchofboston.com) – A trip to the House of Blues in Boston cannot be complete without a visit to Church. It’s a bit of a jog from Kilmarnock Street to Lansdowne Street so you’ll want to plan time for the walk, but what’s better than a brisk walk to work off a good meal? Church’s menu is an eclectic mix of American fare featuring food from local farms. My menu favorites are the Pressed Cuban sandwich and Chicken Breast “under a brick” with sweet potato tater tots. Throughout the year Church features specialty dinners of various themes, often tied to the seasons or beer and spirit tastings. Did I mention that Church is a music venue in its own right? With one of the best small club sound systems in the city, Church is also the perfect place to check out an up-and-coming local or national act.

 

Central Kitchen, Cambridge (no web site) – Entrees at Central Square’s Central Kitchen can be a little pricey and their small dining room fills up quickly but despite these draw-backs it is one of the best places to start a night out to the Middle East or T.T. the Bear’s. Their limited but scrumptuous menu makes the choices simple and their top-notch beer selection will satisfy any thirst.

 

Green Street Grill, Cambridge (http://greenstreetgrill.com) – Green Street is another choice in the Central Square area of Cambridge and another oft pricey and busy pick but, like Central Kitchen, the dinner is worth the extra cash if you’re looking for something more than a slice of pizza at HI-Fi Pizza. I suggest starting with their always interesting Artisanal Cheese Tray before diving in to their fantastic Macaroni & Cheese, with tomato and bacon. (Note to reader – I’m not responsible for your cholesterol problems if you decide to follow this recommendation)

 

Ricardo’s Café Trattoria, Lowell (www.ricardoscafetrattoria.com) – Before we even get to the menu let me mention—when you leave a message to make reservations, it’s Ricardo that returns the call—when you show up for your table, it’s Ricardo that greets you at the door. If you’re looking for a neighborhood feel, you can’t beat that kind of welcome. The menu is traditional Italian fare, complete with lots of pasta choices. Ricardo’s is a great choice if you’re heading north of the city for a show at the Tsongas Arena or Boardinghouse Park.

 

Blue Taleh, Lowell (www.bluetalehlowell.com) – If you’re in the mood for Asian food and sushi while in Lowell, Blue Taleh is the only choice as far as I’m concerned. Their sushi creations are impeccable and their Thai/Japanese cooking have enough variety to satisfy any taste. If you’re visiting during the warm months choose a seat on the deck overlooking Lowell’s canals. It’s a wonderfully relaxing way to begin your evening.

 

Sugar and Spice, Cambridge (www.sugarspices.com) – Heading out to the Lizard Lounge or another club in the Porter Square area? The best Thai choice, in my estimation, is Sugar and Spice. The only drawback is that you may be overwhelmed by the bazillion menu choices that they offer. The good news is that you could simply close your eyes, open to any page and blindly drop your finger on the menu. There’s nothing on this menu that doesn’t taste fantastic. Sugar and Spice can take even things I don’t like and make them taste wonderful.

 

Sunset Grill and Tap, Allston (www.allstonsfinest.com) – I won’t even try to comment on the Sunset Grill and Tap’s beer menu. Suffice it to say that if it’s not on their menu, then it probably doesn’t exist. I’ll focus instead on the food. By way of selection and variation, the best comparison is to the encyclopedia that they slap in front of you at the Cheesecake Factory. I use this comparison not to defame the Sunset Grill and Tap but to instead give you an idea of how many selections you’re going to be faced with. If you’re visiting the Paradise Rock Club on this outing plan extra time, not only for the walk to the club, but also for the time it takes to make a choice from their extensive menu. I always find their home cooking selections the most satisfying.

 

The Independent, Somerville (www.theindo.com) – Heading to Somerville for a show? Try The Independent next time. You’ll be surprised by their eclectic twist on the traditional Irish pub. I know it’s not exactly an Irish specialty but I feel compelled to recommend the Mexican Hot Dog—a bacon-wrapped hotdog accompanied with avocado, refried beans and pineapple salsa. Yikes!

 

Redbones, Somerville (http://redbones.com) – It’s not exactly a secret that Redbones has some of the best barbeque in the greater Boston area. If you’re headed to the Davis Square area of Somerville, Redbones is the obvious choice in this regard. Grab a stack of napkins and Hand-i-wipes and dig in. My only caution is to order the spiciest things on their menu at your own risk. The last time I ate one of their Jamaican Jerk sandwiches I felt it for nearly a week afterwards.

 

Lolita Cocina & Tequila Bar, Boston (http://lolitaboston.com)I almost left Lolita off the list because of its location. Nestled between Newbury and Boylston Streets, it’s not exactly convenient for most show-going nights. But—given the fact that I ate there just a few weeks ago before seeing David Wax Museum at the Arlington Street Church—I figured I could justify its inclusion. You’ll be glad that I did. The experience alone is worth the trip. Dinner starts off with their signature “palette cleanser” of shaved ice and grapefruit doused in tequila and ends with a bucket of cotton candy. In between you are treated to some of the best high-end Mexican fusion cooking I’ve ever had. Plan for an early dinner because Lolita is a trendy nightspot at which hipsters line up around the block for entrance as the night gets later.

Top 10 Albums of 2011

2011 was a strange year for me musically. Usually when I sit down to write a Top 10 list it’s an exercise in whittling down all my favorites from the year. I usually have to spend excruciating hours justifying which albums to cut. This year I had a hard time coming up with a full Top 10 roster. I ended up futzing about trying to decide which albums should rise to the status of a Top 10 entry.

This problem didn’t come from a lack of good albums in 2011. Indeed, 2011 was filled with records that I really enjoyed and many that I loved. The problem was that there were very few that I think will make their way into my permanent jukebox—very few that I’ll be listening to in 20 years.

With all that said, here is the spinthis45 Top 10 Albums of 2011, in no particular order:

  • tUnE yArDs – w h o k i l l – This is one of a few entries on this year’s list where there was never any question about its Top 10 status. From the moment I heard the first tracks from this record I knew that Merrill Garbus had created something special. Her magical way of taking African rhythms, simple drum loops, and her ukulele and creating something that mashes worldbeat, jazz, dance music, and indie rock is nothing short of a miracle. (Watch tUnE yArDs perform “Gangsta” on Studio 360)
  • James Blake – Self-titled – Another mash-up of sorts. Blake’s vocals, in a different environment, would probably be considered traditional soul singing. But when processed through Auto-Tune and applied to his spare, glitchy electronics you get something else entirely. With this release Blake defined a brand new post-dubstep dance music genre. Others will be sure to follow but for the time being, hats off to the inventor! (Watch James Blake perform “The Wilhelm Scream” live in-studio)
  •  Those Darlins’ – Screws Get Loose – You may remember I discovered this band accidentally when they opened for Black Joe Lewis and the Honeybears early this year. From the moment I saw them they took off like a rocket—touring and interviewing constantly, and maintaining some of the most amusing Tweets in my feed (@Those_Darlins). These raucous ladies (and their male drummer) play the greatest retro-girl-group-garage-rock that I’ve heard in years. They tear the roof off the club with every show and managed to translate their fierce live energy into an equally fierce record. (See the video for Those Darlins’ “Be Your Bro”)
  • Earth – Angels of Darkness, Demons of Light I – Slow-core? Heavy-Metal-Spaghetti-Western-Soundtrack-Music? Putting a name on what it is Earth plays is probably a worthless endeavor. Their excruciatingly slow instrumentals bring time to a screeching halt while painting a desolate, dusty, desert landscape, haunted by lonely travelers and tumbleweed. (See Earth perform “Old Black” live in Portugal)
  • Fucked Up – David Comes To Life – The critical acclaim that’s been heaped on Fucked Up these last few years has been lost on me until this year. The sheer audacity of a hardcore band creating this double album concept record is what finally won me over. The fact that the story line is cohesive without being heavy-handed is nothing short of amazing. Add to the mix that this hardcore band is comprised of talented musicians, intent on bringing their brand of music out of the basement and into respectability and you have a record for the history books. (Watch Fucked Up’s Official Video for “Queen of Hearts”)
  • Wild Flag – Self-titled – Wild Flag’s self-titled debut marks a return to the punk rock sound of England in the eighties, mixed with the grunge of the nineties. The ‘super-group’ tag that Wild Flag has been burdened with made me skeptical at first—they actually had to earn this spot on the Top 10. But one listen to the record reveals the pure joy these ladies have for making indie-rock noise. (Watch Wild Flag’s performance of “Romance” on Letterman)
  • TV on the Radio – Nine Types of Light – TV on the Radio is another band for which critical acclaim fell on my deaf ears… until this year, that is. I have to admit, that had I not been dragged by Mark, with the carrot of a half-price ticket through Living Social, they probably never would have made this list. Seeing them play live is what did it for me. Their mix of jazz, punk, space rock, and Avant-garde noise was truly something to behold. That show led to a thorough reassessment of my opinion of them and introduced me to one of my Top 10 albums of 2011 (Thanks Mark!). (Watch the video for “New Cannonball Blues”)
  • Adele – 21 – Adele didn’t make many of the indie-rock taste-makers’ Top 10 lists this year. I’m sure that the ubiquity of Adele on the radio and in the press led to a measure of overload and something of a backlash. I found it impossible to ignore a record that made my seven and eleven year old kids, my wife, and me spontaneously break into top-of-our-lungs singing for an entire year running. (See Adele perfom “Rolling in the Deep” for the All Songs Considered Tiny Desk Concert series)
  • Iron & Wine – Kiss Each Other Clean – Iron & Wine might have made the Top 10 List on the merits of the album title alone. It’s probably just me, but Kiss Each Other Clean evokes something deeply loving and sensual—I melt each time I see the album title in print (I know, I’m a freak). And I haven’t even mentioned the music—Sam Beam created a folk-rock masterpiece with this release. (See Sam Bean’s live acoustic performance of “Tree By The River” from Live From Sunset Sessions)
  • Beastie Boys – Hot Sauce Committee, Part II (HSCP2) – After what seemed like 100 years the Beastie Boys returned in 2011. They broke absolutely no new ground with this release—but who really wants the Beastie Boys to break new ground. HSCP2 simply picks up where they left off. Snarky lyrics, funky grooves, and pop culture references abound. (Watch the cameo studded video for “Make Some Noise”)

-George Dow

Earth – Angels of Darkness, Demons of Light, Part I

Earth

Angels of Darkness, Demons of Light Part I

Southern Lord Records

Released: February 2011

It is impossible to listen to Earth’s latest release, Angels Of Darkness, Demons Of Light, Part I (ADDL I) without being transported to the desert. This album is the soundtrack to a long dusty walk on a gravel path flanked by cactus, tumbleweed, and red-stone monoliths. Angels of Darkness, Demons Of Light, Part I is a modern Ennio Morricone score to a post-apocalyptic rendering of “The Good, The Bad, And The Ugly”. Moments in, you’ve become the iconic Man With No Name trudging, utterly alone, across the southwest.

These five instrumental tracks plod along at a glacial pace with the shortest track clocking in at about seven and a half minutes. Earth takes the drone metal formula and perfects it as musical art form.

I’m always hesitant to use sexual analogies for my music but this record is absolutely tantric. The joy in this record is in its restraint, not its climax. And, truth be told, there really is no climax. ADDL I is all restraint—a relentless pulling back as each track flows along with no obvious direction or end in sight while, at the same time, feeling utterly natural and ecstatic.

I’ve become enamored with my fair share of jam bands over the years and I recognize that some instruments are tailor-made for stretching out and expanding a riff or cycle. The guitar and bass, right? One properly executed guitar or bass chord can stand on its own for minutes on end. The pull of the bow across a cello feels as though it was invented solely for the purpose of drawing a note to its outer reaches. The drums on the other hand, in my mind, have always played a supporting role. How does one stretch a snare hit? The drums don’t have the same properties as those other instruments. Drum hits don’t have the capability of being elongated.

Earth manage something incredible in their drumming. They show restraint. Each pound of the bass drum—each crash of the cymbal—each tap of the snare—is calculated for its maximum effect. Every strike is made in support of the mood of the song. Some songs have so little drumming you would swear the drummer has time to bake a cake between hits. But this doesn’t mean that drums are absent. Quite the opposite, in fact—the drums are everywhere on this album, just in precise places and intended to support the picture that the track paints.

Someone once told me that it takes more musicality to drum slowly than it does to drum fast. I suppose I took that fact on faith, but I’ll admit that it always felt counterintuitive to me intellectually. Suddenly, when listening to ADDL I, I truly understand that concept. The musicianship necessary to hold back while still finding the exact beat on which to execute a drum hit is utterly apparent.

Earth does not play music for the impatient. This is a record best listened to on a long drive or walk—or maybe while working on a project that requires a long stretch of concentration. I can promise that time will stand still, blood pressure will drop, you will be transported away at the glacial pace of Earth.

-George Dow

What? No Hate Your Friends?

P94

The Paradise – Boston

P77

Not much older than my son, this girl’s on stage and wearing a G G Allin short to boot.

Great Big Sea – Boardinghouse Park, Lowell, MA – August 26, 2011

As written by 7-year old Erinn…

Our family went to Lowell to see Great Big Sea with our friends the Hymans. We went for Mexican food before we went to the show. I had a cheese fajita and nachos. The nachos were really good.

Then we walked to the concert and sat down in the back on the sidewalk because there were a lot of people. When we got there many of the people were dancing. There were people that were old and young and many happy families having fun. Lots of people were eating.

Great Big Sea played lively music that was really good. Some songs were fast and others were slow. They sounded like Irish music.

They played a cover of “Run Run Away” and it was good. They also played “I Wonder If You’ll Love Me Tonight”. It was awesome.

When we weren’t at our seats we went to the back and climbed on a statue.

I really liked the show because everything about it was really, really, really good.

~Erinn, with help from George Dow

Beastie Boys – Hot Sauce Committee Part Two

The Beastie Boys are ingrained in my DNA—they’re an integral part of my existence and have been since they released License To Ill in 1986, during the late years of my time in high school. If I really think about it, it would be safe to say that we grew up together. Of course, the Beasties are a couple of years older than me but that has made them all the more qualified to help usher in each new phase of life.

They manage to pack a lifetime’s worth of influences into every outing. All the touchstones are there—rap and hip-hop, hardcore and punk, dancehall and dub reggae, jazz and funk. And what’s more, they manage to mash them together in a way that is both bratty and respectful at the same time. And that’s a tough thing to pull off—to both poke fun at and pay homage to your idols. It’s a trick that the Beastie Boys have mastered to great effect, over and over again.